Invest in sonic opulence with the Telefunken ELA M 251E! Any time saved cut down on the expense of the session, and added to the quality of the broadcast. We could go on, but you can already see how the Telefunken ELA M 251E can be used in any number of ways to produce incredible sounding tracks. Whenever I put the Telefunken ELA M 251E in front of a singer or amp, I achieve the instant clarity and definition that can be so hard to obtain - not to mention gorgeous tone. From beginners to rock stars, millions of music makers rely on our Sales Engineers' expertise to help achieve their musical goals. Store Hours, If you have any questions, please call us at (800) 222-4700. Two singers, one mic: grab the Telefunken ELA M 251E, set it to figure-8, and you're good to go. Set your levels for peaks, then leave those faders alone and let the conductor balance the orchestra. Aroom Audio strives to bring you the best in modern and vintage gear for your studio. With its three pickup patterns, the Telefunken ELA M 251E is ideal for a range of stereo recording techniques if you have two, including Spaced Pair (A/B), XY (including Blumlein), ORTF array, and Mid-Side (MS). Buying music gear can be complicated, but your Sweetwater Sales Engineer is here to help. Achieve sonic opulence (without a second mortgage), Three polar patterns accommodate any recording task, A few examples of what you can do with this incredible mic, A glorious sounding reissue of a glorious sounding classic, Edge-terminated, dual backplate CK-12 capsule, 3 polar patterns: cardioid, omni, and figure-8, Includes locking flight case, lunchbox-style power supply, and wooden microphone box. Sweetwater's Sales Engineers are regarded as the most experienced and knowledgeable professionals in the music industry, with extensive music backgrounds and intense training on the latest products and technologies. The amplifier in the ELA M 250 / 251 series is housed in a molded plastic enclosure. Both the C12 and U47/48 microphones require a fair bit of knowledge, a steady hand, as well as a couple of screwdrivers to get to the internal workings of the mic. Hand selected from all across the globe, each brings a wealth of experience and expertise in the world of music gear. The "no-suffix" microphones were built to satisfy the standardized requirements of the German and Austrian national broadcast systems. Made from 1960 to 1965 with an estimated total production run of fewer than 3,700 units, the original Telefunken ELA M 251E is highly coveted. Our Sales Engineers are a world-class team of music gear experts whose sole job is to provide you with helpful advice and unparalleled service completely free of charge. A Sweetwater Sales Engineer will get back to you shortly. Telefunken ELA M 251 condenser microphone. Sweetwater Sound From 1947 to 1958 TELEFUNKEN GmbH used their established global distribution network for the products produced by Neumann GmbH, which were sold under the TELEFUNKEN name with a TELEFUNKEN logo badge. Stunning sounding mic, ready to make classic recordings. The TELEFUNKEN ELA M 251 was an amalgam of these two microphones as it was capable of switching between all three patterns (cardioid, omnidirectional, and bidirectional). Built from a glass enclosure, its characteristics include a very low self-noise floor, a low degree of microphonics, and a propensity for an exceptionally long life (so long as the voltages provided by the power supply were correct and stable) which meant far less maintenance and consistent results. But first, as there were no available blueprints or schematics for the original, they had to reverse-engineer from prime vintage samples. Get Directions | Full symphony orchestra, Bob Fine's Mercury Living Presence technique: Three '251s, set to omni, across the proscenium arch; record to three tracks panned left, center, and right. The TELEFUNKEN ELA M 251 amplifier circuit was originally built to satisfy the standardized requirements of the German and Austrian national broadcast systems after World War II. Effective June 1, 2017 TELEFUNKEN Elektroakustik has suspended standard production of the AC701 based ELA M 251 microphone. The switch housing at the base of the capsule assembly is where the similarity between the Neumann GmbH U47/48 and the ELA M 250 / 251 microphone series ends. This U47-esque microphone was to be known as the ELA M 250. Large-diaphragm Tube Condenser Mic with Cardioid, Omni, and Figure-8 polar patterns, Locking Flight Case, Lunchbox-style Power Supply, and Wooden Microphone Box. That twist is the implementation of Alloy 2213™ as the diaphragm membrane material for the CK-13™ capsule. While based upon the classic ELA M 251 models, the ELA M 251T adds a very modern twist. Thank you for your request. The capsule and head grill assembly is held in place by two metal struts that run up the exterior of the amplifier housing. Rare working-condition vintage examples fetch well into the five figures, when you can even find one for sale. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Developed specifically for microphone applications, the AC701 is a sub-miniature triode vacuum tube that produces a very rich and opulent tone. Happy customers, one piece of gear at a time! Read on for a few examples to get the creative juices flowing. The Telefunken ELA M 251E large-diaphragm tube condenser mic is a faithful rendition of a legend. You can also call us toll free at (800) 222-4700, Mon-Thu 9-9, Fri 9-8, and Sat 9-7 Eastern. This website uses cookies to improve your experience. Everything you love about Sweetwater in the palm of your hand. Now is the perfect time to get the gear you want with simple, promotional financing. Telefunken ELA M 251E Large-diaphragm Tube Condenser Microphone, Music background: Full-time, professional musician, Music background: Multi-instrumentalist, producer. Unfortunately for TELEFUNKEN GmbH, these field replacement provisions also proved to be a sales impediment outside of the orchestral recording world as the plastic bits employed in these microphones added significant cost to the construction of the microphones. Sporting three pickup patterns and a max SPL of 138dB, this microphone delivers sumptuous results on any instrument. Sweetwater Sales Engineers help you buy music gear with confidence. Once the body tube was removed either the capsule or the amplifier could be replaced in under a minute, saving precious time during an expensive broadcast or orchestral recording session. The switch housing at the base of the capsule assembly is where the similarity between the Neumann GmbH U47/48 and the ELA M 250 / 251 microphone series ends. Today, prime examples of vintage ELA M 250 / 251 [both "E" and "non E"] microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market. Ginormous Val Garay-style toms (two racks and a floor): three '251s on cardioid, fairly close-in, just don't let the drummer hit the mics! Rare non-E version, with AC701k tube. , Exclusive deals, delivered straight to your inbox. In 1947 Neumann GmbH first built the U47 microphone. The TELEFUNKEN ELA M 251 was an amalgam of these two microphones as it was capable of switching between all three patterns (cardioid, omnidirectional, and bidirectional). Our expertly trained Sales Engineers are ready to help! The TELEFUNKEN ELA M 251E includes an edge terminated, dual backplate CK12 capsule capable of cardioid, omnidirectional and bidirectional polar patterns, a 6072A vacuum tube and a Haufe T14/1 output transformer (the same found in the AKG Acoustics GmbH C12). The original, introduced in 1960, is reverentially considered to be one of the most gorgeous sounding mics ever made. It's very difficult to put into words how incredible this microphone is. All I ever really need when using this mic is just a touch of compression, and I’m all set. The added cost made them markedly more expensive at the time than the Neumann GmbH and AKG Acoustics GmbH products, thus the non-government owned facilities of the time did not adopt these systems as readily as TELEFUNKEN GmbH would have liked. To learn more about our cookie policy, please check our Privacy Policy. While the C12 accomplished pattern selection with an outboard switching device that was connected to the power supply, the ELA M 250 / 251 eliminated that addition to the system and minimized both the quantity of wires that had to run to the microphone as well as the expense of the external pattern selection box. Today, prime examples of vintage ELA M 250 / 251 [both "E" and "non E"] microphones have become rare and highly sought after jewels, commanding tens of thousands of dollars on the vintage market. The design engineers at AKG Acoustics also came up with another very handy feature, which was the capability to minimize the time necessary to accomplish "field repairs" of the microphone. By implementing this system, either of these critical components could be replaced in seconds and the session could continue while the faulty system element could be sent to the technical shop for in-depth repair. Rarely used and in perfect condition.

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