If you can check the Aston Origin, is an incredible sounding mic around the price of the nt1 and now are giving for free the custom rycote-aston shockmount . While we’d recommend buying most microphones in stereo pairs, it actually makes a lot of sense to get three or more AT4040s (think “snare, rack tom, floor tom”) as general do-it-all mics that you’ll rarely have to put back into their storage boxes. With its notably pre-EQ’d tonality, you do have to be in love with its inherent personality to use it as a main “overdub everything” microphone, but it does do particularly well for lead vocals and strummed acoustic instruments. The AT4040’s edge-terminated capsule is actually a tad smaller than the “traditional” large diaphragm size, but sonically it has more in common with large diaphragm mics than small- or mid-diaphragms. If you’re after a very natural sounding microphone that will deliver great takes without burning a hole in your pocket make sure you consider the A6. Ten of the Best Microphones under $300 for Recording Vocals, http://cdn.shure.com/publication/upl...m_paper_ea.pdf. Your purchases help youth music programs get the gear they need to make music. This is a rather simple to use mic with no switches or extra features, it deals well with high sound pressure levels and will take almost any vocal style. Easily a “hall of famer” in the budget-friendly microphone category, you’re very likely to have a AT4040 in your mic locker at some point! We at Reverb have collectively had an opportunity to try pretty much every single affordable condenser microphone currently manufactured on a number of sound sources. Most often used for recording vocals, LDCs can also be right at home on acoustic instruments, horns, drums, and more. The British-made Origin is Aston’s most affordable LDC microphone and features a fixed cardioid pattern, a stainless steel body, 'waveform' mesh head design with built-in pop filter, a custom molded base with integrated XLR connector and a stand adapter at the bottom, which is very convenient for easy mounting. While it does have a bit of a high frequency lift near the top of the range, it’s not the screeching and jarring “10kHz-Of-Doom” sound found in lower-end microphones. A widely recommended microphone on Gearslutz, the AT4040 has built quite a following amongst our membership. In this particular guide, we’ll stick to cardioid-only microphones with FET electronics. At the time of publishing, Aston is a rather brand new company based in the United Kingdom with a simple mission statement: build fantastic, affordable microphones and give them a sound that has soul. The Aston Spirit switchable microphone is a 1” gold capsule with three obvious patterns. Any recommendations? Here for the gear . Origin Black Bundle. Click for New and Used prices, user Reviews, more Info & Discussions. Great for: Home studios that need versatility. This special-edition production kit pairs a rock'n'roll black version of Aston’s legendary game-changing microphone, the Origin, with the best-in-class Aston Swiftshield pop filter and shock mount set – everything you need for professional grade recordings of vocals, instruments and pretty much anything else you can throw at it! A unique microphone with some very distinctive looks that will also impress when recording. variations available but here we have the more affordable “vanilla” version. This mic has taken Gearslutz by storm since this particular thread popped up last year - they’ve been quickly gaining in popularity. … A multiple award-winning mix of beauty & British engineering excellence. The Origin doesn't sound bad, I just don't consider it a versatile mic for a one or two mic closet. Thanks. Both mics are trying to be U47 midranged focused clones. The Aston Spirit switchable microphone is a 1” gold capsule with three obvious patterns. Learn more Reply OPTIONS. The V67G is perhaps the best bargain in their line. The Aston Origin microphone—a large diaphragm condenser running in a cardioid polar pattern—surprised me when I first took it home; it’s been surprising me since. There are a handful of multi-pattern and tube mics in this price range, but in the interest of comparing apples to apples, we’ll stick with one family of microphone. Which 2 would you pick? The Warbler’s frequency is generally flat but it shows some dips around 7kHz and variable boosts on the 12kHz area (depending on the selected voicing). ? The CM47FET is equipped with a -10dB gain pad and features two polar patterns (cardioid/omni), making it very versatile. The 57? The frequency response stretches from 20Hz to 20kHz, showing interesting yet subtle curves in the mid-range and a prominent top end peak around 15kHz that will grant some extra 'air'. Overall the Origin is a very interesting choice if you’re looking for a microphone that is distinctive in all aspects and doesn't even come close to breaking the bank. I'm not saying it's better vocal microphone (it was though), but not seeing any SDC in this list here makes me wonder just how much people are set on using LDC or LDD based mostly on the looks, and not even considering SDC on voices (me too!). Considering its low price, I was anticipating it to sound quite rough around the edges. The RE320 continues the legacy of the RE20, one of the top recommendations when it comes to capturing the human voice and an industry standard for broadcast, voiceover, stage performance and studio recording.


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